Americans don't really
know how to watch parades. We cheer
marching bands and stand a little straighter when military units snap by. We cheer when long legged girls in shiny black
boots come by tossing batons in the air.
But we don't really know how to have fun at parades the way folks in
other countries do.
At designated places
along a route, an assigned person sings to a tearful Mary (Mary's tears are
dazzling pearls). The crowd listens
silently during the solo, then nods approvingly.
Floats are
deliberately not motorized. Carrier
teams are unionized, toting by strict rules of rests and distances. Every so many blocks, the float pauses for a
respite, during which friends, relatives, and whomever, leave the curb, lift
the float drape, and offer soft drinks and/or cerveza. Folding chairs are shared among families and
elderly strangers.
This week boom boxes
are taboo.
As important as the
floats are, they actually rank a few points behind the main goal of Holy Week –
picnicking, family picnicking. If one
spots a friend across the street, one walks across through the parade. Children enjoy darting around the
floats. Nobody minds, not even the float
carriers. There is very little police
oversight. I saw two over the whole week.
Mary is the feature of
several floats. Each is extravagantly
adorned with jewels, especially pearls.
A single float can match the cost of any Pasadena Rose Parade
float.
At designated places
along the route, a man sings to Mary.
His lyrics describe how awful the Jews were and what terrible things
should be done to them. (Apparently, the Inquisition isn't quite over yet).
The parade winds
through the city in a leisurely fashion, with no single “launch” spot. And no
single assigned route. One can get a program layout with approximate point
passing times. One can see the
procession several times from different vantages, by using the map. You can know a given float's designated
route.
Semana Santa is
another opportunity for Spaniards to deck out their young daughters in the
classic tradition of “Flamenco.” ('Flamenco' translates “Flemish,” which, of
course, it is not).
Typically, they are
done up in lots of black and some bright red. Mantillas and fans are a
must. Many wobble along in four inch
heels as they beam at everyone. There is lots of whirling and hip flinging to
make the multiple skirts radiate. And no outfit is complete without the shiny
black spikes. It is apparently a rule that
all little girls be heavily rouged.
When I photographed
two of these girls, my conversation with their mother led to my being invited
to dinner. I arrived to find that the
mother's sister's family had also been included, as well as four neighbors. It was a wild evening among sixteen people,
not one of whom spoke any English. They
were most patient, laughed at my bloopers, and showed their tolerance by
pressing more liquid on me as I struggled.
One morning in a
business section of Seville, I photographed four boys, roughly aged twelve, who
had created their own "float."
It had been done with colored paper, wire, marking pens, and table
decoration streamers. They had a small
guitar (every living Spaniard has at least one guitar), a popcorn can drum, and
trinkets probably accumulated from neighbors' trash.
One wag at this “mall”
brought a beer to the float, holding it under the drape for the imaginary
carriers to slake thirst. Another man stopped
the boys so he could sing the “praise to Mary” bit. Bystanders paused until the song was
completed.
The boys' little
"float" and reception by the mall goers, made its own statement. Pasadena's
Tournament of Roses parade is awesome, but the Spanish know a lot more about
thoroughly enjoying life.
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