None of the G.I.s I
knew in the Pacific in WWII were angry with Tokyo Rose. She was too entertaining. She recited
lots of nonsense, but we were pretty sure that her trash talk was
essentially for her own people, who probably wanted to believe most of it. We certainly didn't have to. When she was
telling us that an aircraft carrier floating a hundred yards off our stern was
being sunk, we didn't have to ask CINCPAC if “Rosie” was mistaken.
The thing was that,
for all of her silliness, her radio program was the easiest to receive,
and she played all the best contemporary
LP's.
Broadcasts from the States
was usually like listening through a fish tank, wavering, and often interrupted
by bad weather. Ships could have
relayed stuff, but that would have been an invitation to Japanese subs. Rosie was reliable, and tuning in was secure.
Australia wasn't all
that great to tune into, and they played "Aussie" stuff.
Rosie had to have been
working from a monster station. Bad
weather and sunspots never spoiled reception.
One of our favorite
pastimes was hearing her recite ships “sunk” by the Japanese fleet, and then seeing
who would be first to identify those ships.
Once Rosie named a
C.V.E. we were alongside getting some supplies from. But she must have been an
elitist, as she didn't mention our ship, just the big one.
Security in war time
is important, of course, but its effectiveness was at best moot. When my brother-in-law's B-17 was shot down
by the Germans in Rumania, the plane's crew were taken to an interrogation
officer who pointed to each crewman and, in acceptable English, identified each by name, rank, home town, and prewar
job.
In the Pacific, we always had a pretty good idea where the
Japanese were, how many, how well equipped, and if they were readying any
action. We just couldn’t tell people at
home that we knew. Which meant that Rosie's real effect was on her own country.
Once I wrote a long
letter. I dressed it up with cartoons of
airplanes in the margins, palm trees, and wings on a steam boat. A month or so later, a
response arrived. My letter had been
censored ... sort of. A censor had very
neatly razor bladed out each drawing.
But, he, or she, had also left every clipped sketch inside the envelope.
Some people at home
actually knew things about my ship and schedule that I didn't. I did not know when my first leave would
begin until the day my leave papers arrived on board. I only learned the name of my home bound ship
by reading the bow on it as my exec and I were being motored to it. Yet I was met at the pier in San Francisco,
and my uncle in Berkeley had a reception waiting for me. Maybe Tokyo Rose knew it, too -- but she didn't
like to tell good news.
We loved her
LP's. Wouldn't you tune in Rosie when
she was playing “Begin the Beguine,”
“Contrasts,” and “Don't Get Around Much Anymore”? Oh, I forgot.
You weren't born then.
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